Abstract: In Tadashi Suzuki’s directing art, his theatrical treatments are highly symbolic, creating distinctive impressions and forming his unique directorial style. His productions of William Shakespeare’s King Lear and Anton Chekhov’s Three Sisters are considered among the many plays where his approaches to character, action, and script are imbued with rich symbolism. Through these works, Suzuki establishes a powerful visual and conceptual language that distinguishes his theatre both in Japan and internationally.
Keywords: Tadashi Suzuki; Symbolism; Directing Art; Theatre; Adaptation.
Title: Symbolism in the Directorial Art of Tadashi Suzuki through Two Plays: King Lear by William Shakespeare and Three Sisters by Anton Chekhov
Author: Duong Thi Thanh Huyen
International Journal of Social Science and Humanities Research
ISSN 2348-3156 (Print), ISSN 2348-3164 (online)
Vol. 13, Issue 4, October 2025 - December 2025
Page No: 95-98
Research Publish Journals
Website: www.researchpublish.com
Published Date: 12-October-2025
